Sofia Gubaidulina’s religious nature, specifically Russian Orthodox, finds expression in each of these pieces. Each also makes use of her much-loved bayan, the. Check out Gubaidulina: In Croce / 10 Preludes / Quaternion by Alexander Ivashkin on Amazon Music. Stream ad-free or purchase CD’s and MP3s now on. “Written over a span of forty years, these compositions by Sofia Gubaidulina have become staples of the double bass literature. In Pantomime one immediately.

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But in the major work on the record, the half-hour Seven Wordsthe sentences spoken by Jesus on the cross are graphically, even fervently implied.

The work’s ending is quiet and somber. Later on, Gubaydulina began to incorporate the bayan, the Russian push-button accordion, into her works, and she and bayan player Elsbeth Moser rearranged In croce for cello and bayan in With In crocea number of cross-like ideas derive from the title — crossing of registers, crossing ccroce lines and textures and so on — which are essentially private creative stimuli for the composer.

Please enable JavaScript in your browser to use the site fully. After some wild playing from both instruments, the mood grows hushed again; dissonant chords in the organ accompany the barest of textures from the cello as they both converge again on E.

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In croce, for cello & organ (or bayan)

Genre Chamber Music Classical. Jazz Latin New Age. Sofia Gubaidulina, Galina Ustvolskaya: Composition Artist Credits Seven Words.

The work’s title can mean either “On the Cross” or “Cross-Wise,” and it carres a musical meaning, along with the obvious Christian one. Seven Words; Silenzio; In Croce. AllMusic Featured Composition Noteworthy. Both instruments center their activities on the note E. Et exspecto Spanish performers in spiritual utterances from Gubaidulina View gubaidulins and artist details Record and Artist Details.

In Croce; Seven Last Words. Chamber Music for Bayan.

Streams Videos All Posts. In croce; Quaternion; Ten Preludes. Drinking Hanging Out In Love. Chamber Music with Double Bass.

Sofia Gubaidulina

As the work progresses the two instruments begin to approach each other, eventually crossing in the most aggressive passage. This is a remarkable, compelling work. Gramophone products and those of specially selected partners from the world of music. Share on facebook twitter tumblr.

The all-time greats Read about the artists who changed the world of classical music. If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information. Rainy Day Relaxation Road Trip. One of the many works in which Sofiya Gubaydulina makes reference to Christian themes and imagery, In croce was composed in for cellist Vladimir Tonkha, who, along with organist Oleg Yanchenko gave the work its first performance in the concert hall of the Moscow Conservatory.

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Chamber Music from Russia.

Sofia Gubaidulina – In Croce

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Roughly speaking, the organ or bayan begins the work playing comparatively diatonic music in gubaiulina upper part of its register, while the cello plays spare tones in its lower register. Introspection Late Night Partying.

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Sofia Gubaidulina – In croce (cello, bayan) () – Music Sales Classical

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